![full movie magic mike xxl full movie magic mike xxl](http://cdn01.cdn.justjared.com/wp-content/uploads/2014/10/manganiello-beachsc/joe-manganiello-goes-shirtless-magic-mike-xxl-beach-scenes-02.jpg)
When he ultimately collapses in a fit of laughter, the feeling’s mutual: We’re in on the joke, but it holds up. Popping and locking with the deft physicality that serves as the movie’s chief special effect, Tatum is an imposing one-man show whose remarkable dexterity temporarily distracts from the underlying absurdity of the situation. The moment Mike returns to his woodshed after receiving his old friends’ offer, the thumping bass line of Ginuwine’s “Pony” comes on the radio, echoing the tune’s appearance in one of his bigger solo numbers from “Magic Mike.” The callback naturally jogs Mike’s memories of his showbiz past, and leads him to the first of many outrageous improvised performances, as he writhes about the room finding inventive ways to use his drill.
![full movie magic mike xxl full movie magic mike xxl](https://s.abcnews.com/images/Entertainment/ht_magic_mike_kab_150630_16x9_992.jpg)
In short, the movie displays an eagerness to tap into the first entry’s baser appeal. Carried along by their charisma and a vivacious sense of motion sure to please Busby Berkeley acolytes and those seeking cheap thrills of the flesh alike, “Magic Mike XXL” is essentially a loose but well-honed add-on pack.
FULL MOVIE MAGIC MIKE XXL SERIES
The thin story unfolds as a series of lengthy sequences in which the boys either hang out or show off their skills to great effect. This film has no rhythm.Persistently lighthearted but never less than lively entertainment, “Magic Mike XXL” swaps the meaty conflicts of the first movie - Mike’s showdowns with the strip club entrepreneur memorably embodied by Matthew McConaughey, Mike’s own questionable attempts to take an aimless teenager under his wing - for a breezy musical road trip comedy. It’s silly, but there is some flair, mostly because it’s not weighed down with mock-sexiness and the need to patronise women with naughty-but-nice pelvic thrusting. There’s one moment when the movie comes alive, in its goofy way it’s when Mike is in his workshop, brooding about the possibility of hitting the road again, and he improvises a little dance routine around his saws, his drills and workbench. Stripping isn’t comic or tragic: it’s just great. But any scruples or worries about the absurdity and banality of male stripping have been ruled out of court from the outset, simply by virtue of Mike’s decision to take a break from his woodworking livelihood. They deride other dancers for doing a Twilight-style vampire act, but then they themselves pull a sub-Christian Grey bondage routine with a giggling woman dragged up on stage and chained to a bed. The male-stripping scenes don’t necessarily look demeaning but certainly toe-curlingly ridiculous, especially as everyone has solemnly resolved to get rid of the consciously comic corniness. We’re always waiting for something important or interesting to happen, but it never really does. The guys have the same reverence for Myrtle Beach as the loveable robbers of the Ocean’s Eleven movies had for Las Vegas, but there’s no narrative pull or jeopardy about anything that happens on screen. So that’s the last we hear about the tiresome business of making furniture. But when his erstwhile buddies slide back into town in a slather of babyoil, on their way to a “male stripper convention” in Myrtle Beach, South Carolina, Mike decides he’s bored with the world of carpentry – and impulsively joins them. “Magic” Mike Lane, played by Tatum, is back, quietly getting on with his post-stripping career of creating chairs and dressers to his own super-creative design. They’ve also junked the do-I-really-wanna-be-a-male-stripper angst which allegedly gave the first film depth, or at any rate some dramatic interest. His character from the first film has gone, so as far as that prestigious Oscar-winner is concerned, the Magic Mike brand has gone from the McConaissance to the McDarkages. The characters are supposedly rethinking the male burlesque, chucking away the silly posing pouches and fireman costumes and even building in some hip-hop vocals, but it’s exactly the same thing all over again for these muscly romantic troubadours, except with less plot, less character, less interest and no Matthew McConaughey.